All Bela Ivanyi-Grunwald Oil Paintings

(6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.
 

       VORHERIGE  1  2  3  4   NÄCHSTE
  VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     

 

Bela Ivanyi-Grunwald In the Valley oil painting


In the Valley
Gemälde IDENTIFIZIERUNG::  95640
In the Valley
Date circa 1900(1900) Medium oil on canvas Dimensions Height: 121 cm (47.6 in). Width: 150 cm (59.1 in). TTD
Date circa 1900(1900) Medium oil on canvas Dimensions Height: 121 cm (47.6 in). Width: 150 cm (59.1 in). TTD
   
   
     

Bela Ivanyi-Grunwald Drying Clothes oil painting


Drying Clothes
Gemälde IDENTIFIZIERUNG::  95641
Drying Clothes
Date 1903(1903) Medium oil on canvas Dimensions Height: 167 cm (65.7 in). Width: 133 cm (52.4 in). TTD
Date 1903(1903) Medium oil on canvas Dimensions Height: 167 cm (65.7 in). Width: 133 cm (52.4 in). TTD
   
   
     

Bela Ivanyi-Grunwald View of Nagybanya with Gutin oil painting


View of Nagybanya with Gutin
Gemälde IDENTIFIZIERUNG::  95642
View of Nagybanya with Gutin
Date 1900(1900) Medium oil on canvas Dimensions Height: 90.5 cm (35.6 in). Width: 100.5 cm (39.6 in). ttd
Date 1900(1900) Medium oil on canvas Dimensions Height: 90.5 cm (35.6 in). Width: 100.5 cm (39.6 in). ttd
   
   
     

Bela Ivanyi-Grunwald Gypsy Girls by the Banks of Lapos oil painting


Gypsy Girls by the Banks of Lapos
Gemälde IDENTIFIZIERUNG::  95643
Gypsy Girls by the Banks of Lapos
Date 1909(1909) Medium oil on canvas Dimensions Height: 115 cm (45.3 in). Width: 115 cm (45.3 in).
Date 1909(1909) Medium oil on canvas Dimensions Height: 115 cm (45.3 in). Width: 115 cm (45.3 in).
   
   
     

Bela Ivanyi-Grunwald Market of Kecskemet in Winter oil painting


Market of Kecskemet in Winter
Gemälde IDENTIFIZIERUNG::  95644
Market of Kecskemet in Winter
Date 1911(1911) Medium oil on paperboard Dimensions Height: 50 cm (19.7 in). Width: 73 cm (28.7 in). ttd
Date 1911(1911) Medium oil on paperboard Dimensions Height: 50 cm (19.7 in). Width: 73 cm (28.7 in). ttd
   
   
     

       VORHERIGE  1  2  4   NÄCHSTE
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     

     Bela Ivanyi-Grunwald
     (6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.

KONTAKTIEREN Sie UNS
Xiamen Hat China Großhandelsöl, das Bahrenstab Großhandelsrahmen Anstreicht, den Spiegel Formt, Ausgestreckte Gemälde Eingerahmt